{"id":1531,"date":"2024-02-02T12:00:01","date_gmt":"2024-02-02T03:00:01","guid":{"rendered":"https:\/\/oaff.jp\/oaff2024\/program\/"},"modified":"2024-04-25T22:01:06","modified_gmt":"2024-04-25T13:01:06","slug":"program","status":"publish","type":"page","link":"https:\/\/oaff.jp\/en\/oaff2024\/program\/","title":{"rendered":"Program"},"content":{"rendered":"\n
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Programs<\/strong><\/h2>\n\n\n\n
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Special Opening<\/strong><\/h2>\n\n\n\n
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\"The<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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The Moon Thieves<\/a><\/strong><\/p>\n\n\n\n

[\u76dc\u6708\u8005]
2024 | Hong Kong | 107min | Directed by Steve YUEN Kim-Wai<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Closing<\/strong><\/h2>\n\n\n\n
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\"TOKYO<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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Tokyo Cowboy<\/a><\/strong><\/p>\n\n\n\n

[\u6771\u4eac\u30ab\u30a6\u30dc\u30fc\u30a4]
2023 | USA | 118min | Directed by Marc MARRIOTT <\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n<\/div>\n\n\n\n
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Competition<\/strong><\/h2>\n\n\n\n

This section will present 14 films chosen from films completed on or after 1st October 2022 and unreleased in Japan. The jurors will choose the winners of the Grand Prix and Most Promising Talent Award from these films.<\/p>\n\n\n\n

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\"Blackbird<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Blackbird Blackbird Blackberry <\/strong><\/p>\n\n\n\n

[Shashvi shashvi maq\u2019vali]
2023 | Georgia, Switzerland | 110min | Directed by Elene NAVERIANI<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"City<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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City of Wind<\/strong><\/p>\n\n\n\n

[Ser ser salhi]
2023 | France, Mongolia. Germany, Portugal, Netherlands, Qatar | 103min | Directed by Lkhagvadulam Purev-Ochir<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
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\"Fire<\/a><\/figure>\n\n\n\n

Asia Premiere<\/p>\n<\/div>\n\n\n\n

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Fire on Water<\/strong><\/p>\n\n\n\n

[Neer Mel Neruppu]
2024 | Malaysia | 120min | Directed by Sun-J PERUMAL<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Hyphen<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Hyphen<\/strong><\/p>\n\n\n\n

[Gitling]
2023 | Philippines | 94min | Directed by Jopy ARNALDO<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
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\"The<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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The Lyricist Wannabe<\/strong><\/p>\n\n\n\n

[\u586b\u8a5eL]
2023 | Hong Kong | 109min | Directed by Norris WONG<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Memories<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Memories of His Scent<\/strong><\/p>\n\n\n\n

[\u306b\u304a\u3044\u304c\u7720\u308b\u307e\u3067]
2024 | Japan | 92min | Directed by HIGASHI Kahori<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"The<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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The Missing<\/p>\n\n\n\n

[Iti Mapukpukaw]
2023 | Philippines | 90min | Directed by Carl Joseph E. Papa<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"Not<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Not Friends<\/strong><\/p>\n\n\n\n

[Puen-Mai-Sanit]
2023 | Thailand | 130min | Directed by Atta HEMWADEE<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\n
\"Salli<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Salli<\/strong><\/p>\n\n\n\n

[\u838e\u8389]
2023 | Taiwan, France | 105min | Directed by LIEN Chien Hung<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"Snowdrop<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Snowdrop<\/strong><\/p>\n\n\n\n

[\u30b9\u30ce\u30fc\u30c9\u30ed\u30c3\u30d7]
2024 | Japan | 98min| Directed by YOSHIDA Kota<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
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\"Solids<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Solids by the Seashore <\/strong><\/p>\n\n\n\n

2023 | Thailand | 93min | Directed by atiparn BOONTARIG<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Trouble<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Trouble Girl <\/strong><\/p>\n\n\n\n

[\u5c0f\u66c9]
2023 | Taiwan | 103min | Directed by CHIN Chia-Hua<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Unborn<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Unborn Soul <\/strong><\/p>\n\n\n\n

[\u6e21]
2024 | Australia, China | 77min | Directed by ZHOU Zhou<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Swimming<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Swimming in a Sand Pool<\/strong><\/p>\n\n\n\n

[\u6c34\u6df1\u30bc\u30ed\u30e1\u30fc\u30c8\u30eb\u304b\u3089]
2024 | Japan | 87min | Directed by YAMASHITA Nobuhiro<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Spotlight<\/strong><\/h2>\n\n\n\n

In this section, the films are not yet famous but are expected to gain attention this year because they highlight a new talent or movement in cinema.<\/p>\n\n\n\n

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\"13<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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13 Bombs<\/strong><\/p>\n\n\n\n

[13 Bom di Jakarta] 2023 | Indonesia | 143min | Directed by Angga Dwimas SASONGKO<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"ACCOMPANY<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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Accompany<\/strong><\/p>\n\n\n\n

[\ub3d9\ud589] 2023 | Korea | 32min | Directed by UM Munsuk<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
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\"Flavor<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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Flavor of Sisterhood<\/strong><\/p>\n\n\n\n

[\uc790\ub9e4\uc758 \ub9db] 2023 | Korea | 25min | Directed by HWANG Inwon<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"The<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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The Fourth Man<\/strong><\/p>\n\n\n\n

[\u7b2c\u56db\u500b\u7537\u4eba] 2023 | Singapore | 25min | Directed by TAY Bee Pin<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
\n
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\"A<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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A Journey in Spring<\/strong><\/p>\n\n\n\n

[\u6625\u884c] 2023 | Taiwan | 90min | Directed by WANG Ping-Wen, PENG Tzu-Hui<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"JungOk<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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JungOk<\/strong><\/p>\n\n\n\n

[\uc815\uc625] 2023 | Korea | 18min | Directed by YOO Jimin<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Out<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Out of the Shadow<\/strong><\/p>\n\n\n\n

[\u81e5\u5e95\u7684\u9000\u96b1\u751f\u6d3b]
2024 | Hong Kong | 90min | Directed by Ricky KO<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Playground<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Playground<\/strong><\/p>\n\n\n\n

[\u697d\u5712\u5cf6]<\/p>\n\n\n\n

2023 | USA, China | 16min | Directed by Directed by LIN Yaxing<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Sojourn<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Sojourn to Shangri-la <\/strong><\/p>\n\n\n\n

[\u662f\u65e5\u8a2a\u53e4]<\/p>\n\n\n\n

2023 | \u4e2d\u56fd | 19min | Directed by LIN Yihan<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"Tenement<\/a><\/figure>\n\n\n\n

Asia Premiere<\/p>\n<\/div>\n\n\n\n

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Tenement<\/strong><\/p>\n\n\n\n

2023 | Cambodia | 88min | Directed by Inrasothythep NETH \/ Sokyou CHEA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n

Indie Forum<\/strong><\/h2>\n\n\n\n

This program will present 12 films by innovative and challenging talents. The JAPAN CUTS AWARD will be bestowed by the Japan Society to one Japanese film selected from this section.<\/p>\n\n\n\n

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\"All<\/a><\/figure>\n\n\n\n

Asia Premiere<\/p>\n<\/div>\n\n\n\n

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All the Songs We Never Sang<\/strong><\/p>\n\n\n\n

[ALL THE SONGS WE NEVER SANG]<\/p>\n\n\n\n

2023 | Japan | 115min | Directed by Chris RUDZ<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Before<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Before Anyone Else<\/strong><\/p>\n\n\n\n

2023| 19min | USA, Japan | Directed by MARIKO Tetsuya<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300c\u30d6\u30eb\u30fc\u30fb\u30a4\u30de\u30b8\u30f3\u300dOsaka<\/a><\/figure>\n\n\n\n

Asia Premiere<\/p>\n<\/div>\n\n\n\n

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Blue Imagine<\/strong><\/p>\n\n\n\n

[\u30d6\u30eb\u30fc\u30a4\u30de\u30b8\u30f3]
2024 | Japan, Phillippines, Singapore | 93min | Directed by MATSUBAYASHI Urara<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Inch<\/a><\/figure>\n\n\n\n

*<\/p>\n<\/div>\n\n\n\n

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Inch Forward<\/strong><\/p>\n\n\n\n

[\u8d70\u308c\u306a\u3044\u4eba\u306e\u8d70\u308a\u65b9] 2023 | Japan| 83min | Directed by SU Yu Chun<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
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\"\"<\/a><\/figure>\n\n\n\n

Asia Premiere<\/p>\n<\/div>\n\n\n\n

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It Must Be Love<\/strong><\/p>\n\n\n\n

[\u611b\u306e\u8336\u756a] 2024 | Japan | 120min | Directed by EMOTO Junko<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"On<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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On a Boat<\/strong><\/p>\n\n\n\n

[\u30aa\u30f3\u30fb\u30a2\u30fb\u30dc\u30fc\u30c8] 2024 | Japan | 32min | Directed by Heso<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Performing<\/a><\/figure>\n\n\n\n

*<\/p>\n<\/div>\n\n\n\n

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Performing KAORU’s Funeral <\/strong><\/p>\n\n\n\n

[\u30ab\u30aa\u30eb\u306e\u846c\u5f0f] 2023 | Japan, Spain, Singapore | 100min | Directed by YUASA Noriko<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"Ririka<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Ririka of the Star <\/strong><\/p>\n\n\n\n

[\u308a\u308a\u304b\u306e\u661f] 2023 | Japan | 28min | Directed by SHIOTA Tokitoshi<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"\u30b9\u30df\u30b322<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Sumiko 22 <\/strong><\/p>\n\n\n\n

[\u30b9\u30df\u30b322] 2024 | Japan | 65min | Directed by FUKUOKA Sawako<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\u3059\u3068\u3093<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Suton<\/strong><\/p>\n\n\n\n

[\u3059\u3068\u3093] 2024 | Japan | 41min | Directed by WATANABE Rikako<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Wash<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Wash Away<\/strong><\/p>\n\n\n\n

[\u3046\u3049\u3063\u3057\u3085] 2024 | Japan | 114min | Directed by OKAZAKI Ikunosuke<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\u80f4\u9cf4\u308aA<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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A Weather Report <\/strong><\/p>\n\n\n\n

[\u80f4\u9cf4\u308a] 2024 | Japan | 110min | Directed by KAJINO Yu<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Special Program <Thai Cinema Kaleidoscope 2024><\/strong><\/h2>\n\n\n\n

In cooperation with the Ministry of Culture Thailand, the Ministry of Foreign Affairs Thailand, the Royal Thai Consulate-General Osaka, the National Soft Power Strategy Committee Thailand, we present various works. Like the patterns in a kaleidoscope, each film is unique and fascinating. THAI NIGHT<\/strong> will be held.<\/p>\n\n\n\n

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\"BlazedAway<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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Blazed Away<\/strong><\/p>\n\n\n\n

2022 | Thailand | 19min | Directed by Supamart BOONNIL<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"HOON<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Hoon Payon<\/strong><\/p>\n\n\n\n

2023 | Thailand | 107min | Directed by Phontharis CHOTKIJSADARSOPON<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
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\"How<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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How We Say Goodbye<\/strong><\/p>\n\n\n\n

2023 | Thailand | 29min | Directed by Thunyachanok APHISUMPHOKUL<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Undertaker<\/strong><\/p>\n\n\n\n

[Sup Pa Rer] 2023 | Thailand | 125min | Directed by Thiti SRINUAN<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
\n
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\"Supposed<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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Supposed<\/strong><\/p>\n\n\n\n

2023 | Thailand | 100min | Directed by Thanakorn PONGSUWAN<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\"Nomad<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Death Whisperer<\/strong><\/p>\n\n\n\n

[Tee Yod]
2023 | Thailand | 121min | Directed by Taweewat WANTHA<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n
\n
\n
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\"Not<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Not Friends<\/strong><\/p>\n\n\n\n

[Puen-Mai-Sanit]
2023 | Thailand | 130min | Directed by Atta HEMWADEE<\/p>\n\n\n\n

Competition<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\n
\"Solids<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Solids by the Seashore<\/strong><\/p>\n\n\n\n

2023 | Thailand | 93min | Directed by Patiparn BOONTARIG<\/p>\n\n\n\n

Competition<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Special Program <Taiwan: Movies on the Move 2024><\/strong><\/h2>\n\n\n\n

In cooperation with the Ministry of Culture, we will feature a wide range of works that let you feel the “now” of the booming Taiwanese movie scene. TAIWAN NIGHT <\/strong> will be held.<\/p>\n\n\n\n

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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300cBIG\u300dOsaka<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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BIG<\/strong><\/p>\n\n\n\n

2023 | Taiwan | 159min | Directed by WEI Te-Sheng<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"The<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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The Horse <\/strong><\/p>\n\n\n\n

[\u99ac\u8a9e] 2023 | Taiwan | 15min | Directed by LAN Yi-Tzu<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\n
\n
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\"Right<\/a><\/figure>\n\n\n\n

International Premiere<\/p>\n<\/div>\n\n\n\n

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Right Jabs<\/strong><\/p>\n\n\n\n

[\u6211\u53ef\u4ee5\u66ab\u6642\u9003\u8dd1\u4e00\u4e0b\u55ce\uff1f] 2023 | Taiwan | 23min | Directed by WU Zi-En<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"The<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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The Winter of 1905 <\/strong><\/p>\n\n\n\n

[\u4e00\u4e5d\u96f6\u4e94\u7684\u51ac\u5929] 1981 | Hong Kong | 94min | Directed by YU Wei-Cheng [\u4f59\u70ba\u653f]<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"A<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

\n

A Journey in Spring<\/strong><\/p>\n\n\n\n

[\u6625\u884c] 2023 | Taiwan | 90min | Directed by WANG Ping-Wen, PENG Tzu-Hui<\/p>\n\n\n\n

Spotlight<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Salli<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Salli<\/strong><\/p>\n\n\n\n

[\u838e\u8389]
2023 | Taiwan, France | 105min | Directed by LIEN Chien Hung<\/p>\n\n\n\n

Competiton<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Trouble<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Trouble Girl<\/strong><\/p>\n\n\n\n

[\u5c0f\u66c9]
2023 | Taiwan | 103min | Directed by CHIN Chia-Hua<\/p>\n\n\n\n

Competition<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Special Program <Special Focus on Hong Kong 2024><\/strong><\/h2>\n\n\n\n

In cooperation with Create Hong Kong, Film Development Fund, Hong Kong Economic and Trade Office (Tokyo), the Government of the Hong Kong Special Administrative Region, this special program will present a wide range of excellent films from contemporary Hong Kong cinematic output. HONG KONG GALA SCREENING<\/strong> will be held.<\/p>\n\n\n\n

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\"Everyphone<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

\n

Everyphone Everywhere<\/strong><\/p>\n\n\n\n

[\u5168\u500b\u4e16\u754c\u90fd\u6709\u96fb\u8a71] 2023 | Hong Kong | 90min | Directed by Amos WHY<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Life<\/a><\/figure>\n\n\n\n

*<\/p>\n<\/div>\n\n\n\n

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Life of Cloud <\/strong><\/p>\n\n\n\n

[\u4eba\u751f\u4e00\u56bf\u96f2]
2023 | Hong Kong | 22min | Directed by Wylie CHAN<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"The<\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

\n

The Moon Thieves<\/strong><\/p>\n\n\n\n

[\u76dc\u6708\u8005]
2024 | Hong Kong | 107min | Directed by Steve YUEN Kim-Wai<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Nomad<\/a><\/figure>\n\n\n\n

*<\/p>\n<\/div>\n\n\n\n

\n

Nomad (4K Restored Director’s Cut)<\/strong><\/p>\n\n\n\n

[\u300a\u70c8\u706b\u9752\u6625\u300b 4K\u4fee\u5fa9\u5c0e\u6f14\u7248]
1982 | Hong Kong | 93min | Directed by Patrick TAM<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Sweet<\/a><\/figure>\n\n\n\n

Asia Premiere<\/p>\n<\/div>\n\n\n\n

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Sweet Lime<\/strong><\/p>\n\n\n\n

2023 | Hong Kong, UK | 11min | Directed by Fatema ABDOOLCARIM<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"The<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

\n

The Lyricist Wannabe<\/strong><\/p>\n\n\n\n

[\u586b\u8a5eL]
2023 | Hong Kong | 112min | Directed by Norris WONG<\/p>\n\n\n\n

Competition<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"Out<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Out of the Shadow<\/strong><\/p>\n\n\n\n

[\u81e5\u5e95\u7684\u9000\u96b1\u751f\u6d3b]
2024 | Hong Kong | 90min | Directed by Ricky KO<\/p>\n\n\n\n

Spotlight<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Special Screenings<\/strong><\/h2>\n\n\n\n

This section will present two films from Asia which are judged to be both beautifully shot and topical.<\/p>\n\n\n\n

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\"Amalock<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Amalock<\/strong><\/p>\n\n\n\n

[\u3042\u307e\u308d\u3063\u304f]<\/p>\n\n\n\n

2024 | Japan | 119min | Directed by NAKAMURA Kazuhiro<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Brush<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Brush of the God<\/strong><\/p>\n\n\n\n

[\u30ab\u30df\u30ce\u30d5\u30c7 \uff5e\u602a\u7363\u305f\u3061\u306e\u3044\u308b\u5cf6\uff5e] | 2024 | Japan | 74min | Directed by MURASE Keizo<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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<\/div>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Special Presentation sponsored by Kobe College, Department of English<\/strong><\/strong><\/h2>\n\n\n\n

With the support of Kobe College, Department of English, the Bangladeshi film “Rickshaw Girl” will be screened.<\/p>\n\n\n\n

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\"Rickshawgirl<\/a><\/figure>\n\n\n\n

Japan Premiere<\/p>\n<\/div>\n\n\n\n

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Rickshaw Girl<\/strong><\/p>\n\n\n\n

2021 | Bangladesh | 102min | Directed by Amitabh Reza Chowdhury<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Special Presentatio<\/strong>n: Expo ’70 Osaka and Teshigahara Hiroshi<\/strong><\/h2>\n\n\n\n

This program will show a restored experimental short exhibited at the Expo ’70 Osaka Automotive Pavillion, 240 Hours in One Day, directed by TESHIGAHARA Hiroshi and written by ABE Kobo. A lecture on the restoration of the film will also be held. Free admission.<\/p>\n\n\n\n

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\"240<\/a><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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240 Hours in One Day<\/strong><\/p>\n\n\n\n

[1\u65e5240\u6642\u9593]
1970 | Japan | 30min | Directed by TESHIGAHARA Hiroshi<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Housen Cultural Foundation-supported programs <Grant for Film Study and Production> <Commendation for Student Film<\/strong>s><\/strong><\/h2>\n\n\n\n

Based in Osaka, the Housen Cultural Foundation supports film study and production in graduate schools. In addition to the four films funded in the fiscal year of 2022, three films that won awards for undergraduate graduation films will be screened at the Nakanoshima Art Museum, Osaka. Free Admission.<\/p>\n\n\n\n

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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300c\u5f7c\u65b9\u306e\u5bb6\u65cf\u300dOsaka<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Faraway Family <\/strong><\/p>\n\n\n\n

[\u5f7c\u65b9\u306e\u5bb6\u65cf]
2023 | Japan | 81min | Directed by KAWASAKI Taro \/ SAKAUCHI Eisuke <\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Girls<\/a><\/figure>\n\n\n\n

World Premiere<\/p>\n<\/div>\n\n\n\n

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Girls and Boys<\/strong><\/p>\n\n\n\n

[\u5973\u5b50\u3068\u7537\u5b50]
2024 | Japan | 45min | Directed by HIROHARA Satoru<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300c\u30cf\u30fc\u30d5\u30bf\u30a4\u30e0\u300dOsaka<\/a><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Half Time<\/strong><\/p>\n\n\n\n

[\u4e2d\u5834\u4f11\u606f]
2023\uff5cJapan, China\uff5c29min Directed by ZHANG Yaoyuan<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300cPerfect\u30fbNervous\u300dOsaka<\/a><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Perfect Nervous <\/strong><\/p>\n\n\n\n

[Pefect\u30fbNervous]
2024 | Japan | 27min | Directed by SANO Masaru | <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n\n\n\n
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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300c\u30a2\u30b9\u30af\u30fb\u30d5\u30a9\u30fc\u30fb\u30b6\u30fb\u30e0\u30fc\u30f3\u300dOsaka<\/a><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Ask for the Moon<\/strong><\/p>\n\n\n\n

[\u30a2\u30b9\u30af\u30fb\u30d5\u30a9\u30fc\u30fb\u30b6\u30fb\u30e0\u30fc\u30f3]
2022\u5e74 | Japan | 46min | Directed by OISHI Taishi | <\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300c\u82b1\u5fc3<\/a><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Huaxin -Amorous Butterfly-<\/strong><\/p>\n\n\n\n

[\u82b1\u5fc3 \u30d5\u30a1\u30fc\u30b7\u30f3]
2023 | Japan | 88min | Directed by YASUMOTO Miku<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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\"\u7b2c19\u56de\u5927\u962a\u30a2\u30b8\u30a2\u30f3\u6620\u753b\u796d\u300c\u3075\u308c\u308b\u300dOsaka<\/a><\/figure>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

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Touch<\/strong><\/p>\n\n\n\n

[\u3075\u308c\u308b]
2023 | Japan | 15min | Directed by TAKADA Kyosuke | <\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Events<\/strong><\/h2>\n\n\n\n