{"id":7953,"date":"2025-03-18T11:59:06","date_gmt":"2025-03-18T02:59:06","guid":{"rendered":"https:\/\/oaff.jp\/oaff2025\/schedule-2\/"},"modified":"2025-03-22T08:22:36","modified_gmt":"2025-03-21T23:22:36","slug":"schedule","status":"publish","type":"page","link":"https:\/\/oaff.jp\/en\/oaff2025\/schedule\/","title":{"rendered":"Schedule"},"content":{"rendered":"\n

Screening Schedule<\/h2>\n\n\n\n
\n
\n
\n

.<\/mark>E<\/strong> <\/mark> Screening with English subtitles<\/p>\n\n\n\n

.<\/mark>J<\/strong> <\/mark> Screening with Japanese subtitles for non-Japanese dialogue<\/p>\n\n\n\n

.<\/mark>A <\/mark><\/strong> Screenings eligible for Audience Award<\/a><\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Filmmakers in attendance (To be updated later)<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark> Few Seats Remaining<\/p>\n\n\n\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Available only at Ticket Counter<\/p>\n\n\n\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Sold Out<\/p>\n<\/div>\n<\/div>\n\n\n\n

The number in parentheses indicates the film\u2019s length (minutes). Pre- & post-screening events are not included.
The program may be subject to change due to unavoidable circumstances.<\/p>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Thursday, March 13<\/strong><\/p>\n\n\n\n

Nakanoshima Museum of Art, Osaka<\/p>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n

The Melancholy of a Brass Player for Brass Quintet (18)<\/a> .<\/mark>E<\/strong> <\/mark>\/ Seasonless Love (84)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:25<\/strong><\/p>\n<\/div>\n\n\n\n

\n

The Midnight Sun (81)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Talk Event (70)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> MURATA Hina (The Midnight Sun director), FURUYA Daichi (The Melancholy of a Brass Player for Brass Quintet director), NAKAZATO Yuki (Seasonless Love director), TSUKINAGA Rie<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n

Friday, March 14<\/strong><\/strong><\/p>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> The Last Dance – Extended Version (150)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n

Journey to Face Them (61)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

This Place (86) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Jaime PACENA II (Director), SOGA Masumi (Producer), Marquez LEOBENSANT (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> The Tales of Kurashiki (103)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> HIRAMATSU Emiko (Director), HORIKE Kazuki (Cast member), MAENO Tomoya (Cast member)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

See You Again (91)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> NISHIDA Nobuyoshi (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

T-Joy Umeda Screen 7<\/p>\n\n\n\n

\n
\n

15:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Dead Talents Society (110)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> John HSU (Director) \/ Ivy CHEN (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Bikechess (100) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n

The Trophy Bride (114)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Ten Easy Pieces (49) .<\/mark>E<\/strong> <\/mark><\/a>\/ Imperfect Me (40)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> TEN EASY PIECES<\/em> FUJIMOTO Kaede (Producer) | Imperfect Me<\/em> YAMASHINA Koichi (Director) \/ TANADA Kentaro (Producer) \/ MEGURO (Cast member)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Life Is Snow (30)<\/a> .<\/mark>E<\/strong> <\/mark>\/ New Born Life (39)<\/a> .<\/mark>E<\/strong> <\/mark> \/ And Then How He Told the Horse Mackerel (24)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Life Is Snow<\/em> ZHANG Yaoyuan (Director) \/ JI Ziting (Assistant Director) | New Born Life<\/em> OSAKO Muki (Director) | And Then How He Told the Horse Mackerel<\/em> KIMURA Shin (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program E (76)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> To Be A Woman<\/em> YO Enen (Director) \/ MENG Zhujun (Cast) \/ TANAKA Hiroshi (Cast) \/ UMEDA Masahiro (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program C (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Saturday, March 15<\/strong><\/strong><\/p>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

9:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> The Way We Talk (132)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Adam WONG Sau-ping (Director) \/ Ming Kai LEUNG\uff08Cinematographer\uff09<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

In Youth We Trust (130)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Family Matters (99)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

17:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> All Shall Be Well (93)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Ming Kai LEUNG\uff08Cinematographer\uff09<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Outsiders\u2019 Club (42)<\/a> .<\/mark>E<\/strong> <\/mark> \/ Soyoko (45)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> The Outsiders\u2019 Club<\/em> KAWANOBE Shuichi (Cast) \/ SAKAMOTO Ayane (Cast) <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Johatsu \u2013 Into Thin Air (86)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Andreas HARTMANN (Director) \/ MORI Arata (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

T-Joy Umeda Screen 7<\/p>\n\n\n\n

\n
\n

15:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

404 Still Remain (103)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Uhm Ha-neul (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Village Rockstars 2 (107)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Bel Ami (117)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> XIE Meng (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program A (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> The Angel Island<\/em> HORII Ayaka (Director) \/ KIMURA Manami (Producer) | Breezy Day<\/em> CHIANG Chung-chieh (Director) \/ Coal WU (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program E (76)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> To Be A Woman<\/em> YO Enen (Director) \/ MENG Zhujun (Cast) \/ TANAKA Hiroshi (Cast) \/ UMEDA Masahiro (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program B (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Crumpled<\/em> YUKI Chihiro (Director,cast) \/ YABUKI Hikaru (Director,cast) | WAShhh <\/em> Mickey Lai (Director) \/ Lim Shu Jia (Producer) | Our Beloved Journey<\/em> Thapanee Loosuwan (Director) \/ Chonlasit Upanigkit (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program D (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Sunday, March 16<\/strong><\/strong><\/p>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

PAGTATAG! The Documentary (73)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Jed REGALA (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark>Bound in Heaven (109) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

See You Again (91)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> NISHIDA Nobuyoshi (Director) \/ KATO Shinsuke (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> You Will Die in 6 Hours (91)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> LEE Yun-Seok (Director) \/ TAKANO Kazuaki\uff08Original Author\uff09<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> The Chronicles of Libidoists(105)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> YANG Ya-Che (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

T-Joy Umeda Screen 7<\/p>\n\n\n\n

\n
\n

15:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Muay Thai Hustle (117)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Last Song For You (104)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Yen and Ai-Lee (106)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program C (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Farewell, Saranghae, Farewell<\/em> HONG Sunhye (Director) | Cupcakes, Lonely Cats<\/em> YANG Ling (Director, Writer) \/ Lin Tse (Producer) \/ Sophie Huang (Line Producer) \/ CHIEN Chiang (Cinematographer) \/ Geng Uei Hsu (Production Designer) \/ Guang Lin (Costume and Makeup Designer) <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program D (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> my name is<\/em> KOMIYAMA Nako (Director) | Suzuki<\/em> AHN Jung-min (Director) \/ Kang Yunkyung (Art director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program A (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> The Angel Island<\/em> HORII Ayaka (Director) \/ KIMURA Manami (Producer) | Breezy Day<\/em> CHIANG Chung-chieh (Director) \/ Coal WU (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program B (81)<\/a><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Monday, March 17<\/strong><\/strong><\/p>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

9:45<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

To Kill a Mongolian Horse (98)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

11:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Rainy Blue (120)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> YANAGI Asuna (Director,Cast)  \/ HAMASHIMA Sachie(Producer) \/ NATSUTO Aimi(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Silent City Driver (138)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

17:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

V. MARIA\uff0894\u5206\uff09<\/a>.<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> MIYAZAKI Daisuke (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark>Yoyogi Johnny (109)<\/a> ..<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> KIMURA Satoshi (Director) \/ NAOI Takatoshi (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Saba (95)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Tuesday, March 18<\/strong><\/strong><\/p>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

You Will Die in 6 Hours (91)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> LEE Yun-Seok (Director) \/ TAKANO Kazuaki\uff08Original Author\uff09<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Flat Girls (129)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

And the Breadwinner Is\u2026<\/a> (122) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Good Luck (104)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> ADACHI Shin (Director) \/ ADACHI Akiko (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Land of Morning Calm (113)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Wednesday, March 19<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

18:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Special Opening Ceremony<\/mark><\/strong><\/p>\n\n\n\n

Soldier of Love (100)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n

Special Opening Ceremony<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> The Angel Island<\/em> \/ HORII Ayaka (Director)
Good Luck<\/em> \/ ADACHI Shin (Director) , ADACHI Akiko(Producer)
Johatsu \u2013 Into Thin Air<\/em> \/ Andreas HARTMANN (Director), MORI Arata (Director)
So Beautiful, Wonderful and Lovely<\/em> \/ OKAWARA Megumi (Director, Cast)
Rainy Blue<\/em> \/ YANAGI Asuna(Director, Cast) \/ HAMASHIMA Sachie(Producer) \/ NATSUTO Aimi(Cast) \/ OZAWA Mayu(Cast)
V. MARIA<\/em> \/ MIYAZAKI Daisuke (Director)
Cupcakes, Lonely Cats<\/em> \/ YANG Ling (Director)
Our Beloved Journey<\/em> \/ Thapanee Loosuwan (Director), Chonlasit Upanigkit (Producer)
Soldier of Love<\/em> \/ Farkhat SHARIPOV (Director)
Flat Girls<\/em> \/ Jirassaya WONGSUTIN (Director) \/ Fatima DECHWALEEKUL (Cast) \/ Kirana PIPIYAKORN (Cast) \/ Pakorn HATBORRIRAK (Cast)
The Way We Talk<\/em> \/ Adam WONG (Director)
Journey to Face Them<\/em> \/ HWANG In-won (Director) \/ Seok-hee (Cast)
Bel Ami <\/em>\/ GENG Jun (Director)
404 Still Remain<\/em> \/ UHM Ha-neul (Director)
Muay Thai Hustle<\/em> \/ Ping LUMPRAPLOENG (Director) \/ Wanida CHATPIRIYAKUL (Producer)
The Paradise of Thorns<\/em> \/ Vanridee PONGSITTISAK (Producer) \/ Jira MARIGOOL (Producer)
Taklee Genesis<\/em> \/ Wanarat RATSAMEERAT (Cast)
This Place<\/em> \/ Jaime Pecena II (Director) \/ Leobensant MARQUEZ (Producer) \/ Angel TOMAS (Producer)<\/p>\n\n\n\n

\n\n\n\n

Post-screening Q&A<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Farkhat SHARIPOV (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark><\/mark>The Tales of Kurashiki (103)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> The Paradise of Thorns (130)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Vanridee PONGSITTISAK (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Yoyogi Johnny (109)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> KIMURA Satoshi (Director) \/ NAOI Takatoshi (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Rainy Blue (120)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> YANAGI Asuna (Director,Cast)  \/ HAMASHIMA Sachie(Producer) \/  NATSUTO Aimi(Cast) \/ OZAWA Mayu(Cast) \/ Kumamon<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark>V. MARIA (94)<\/a> E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> MIYAZAKI Daisuke (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Thursday, March 20<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Journey to Face Them (61)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> HWANG In-won (Director) \/ Seok-hee (Actress)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

THAI MATINEE<\/a><\/mark><\/strong><\/p>\n\n\n\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Flat Girls (129)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

THAI MATINEE<\/a><\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Flat Girls<\/em> \/ Jirassaya WONGSUTIN (Director) \/ Fatima DECHWALEEKUL (Cast) \/ Kirana PIPIYAKORN (Cast) \/ Pakorn HATBORRIRAK (Cast)
Muay Thai Hustle<\/em> \/ Ping LUMPRAPLOENG (Director) \/ Wanida CHATPIRIYAKUL (Producer)
Taklee Genesis<\/em> \/ Chookiat SAKVEERAKUL (Director) \/ Wanarat RATSAMEERAT (Cast)
How to Make Millions Before Grandma Dies<\/em> \/ Usha SEAMKHUM (Cast)
The Paradise of Thorns<\/em> \/ Vanridee PONGSITTISAK (Producer) \/ Jira MARIGOOL (Producer)
In Youth We Trust<\/em> \/ Nat KITCHARIT (Cast) \/ Todsapol MAISUK (Cast) \/ Bhumibhat THAVORNSRI (Cast)
Our Beloved Journey <\/em>\/ Thapanee Loosuwan (Director) , Chonlasit Upanigkit (Producer)<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Post-screening Q&A<\/p>\n\n\n\n

Jirassaya WONGSUTIN (Director) \/ Fatima DECHWALEEKUL (Cast) \/ Kirana PIPIYAKORN (Cast) \/ Pakorn HATBORRIRAK (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark>The Way We Talk (132)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Adam WONG Sau-ping (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

HONG KONG GALA SCREENING<\/a><\/strong><\/p>\n\n\n\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Last Song For You (104)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Jill LEUNG (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

9:45<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

This Place (86)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

11:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

So Beautiful, Wonderful and Lovely (67)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> OKAWARA Megumi (Director) \/ NAMURA Shin (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark>Blind Love (150)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:45<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

In Youth We Trust (130)<\/a> J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Nat KITCHARIT (Cast) \/ Todsapol MAISUK (Cast) \/ Bhumibhat THAVORNSRI (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Taklee Genesis (146)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Chookiat SAKVEERAKUL (Director) \/ Wanarat RATSAMEERAT (Actor)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Chronicles of Libidoists (105)<\/a> J<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Friday, March 21<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Bound in Heaven (109)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Bikechess (100)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Assel AUSHAKIMOVA (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Land of Morning Calm (113)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> PARK Ri-woong (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

TAIWAN NIGHT<\/a><\/mark><\/strong><\/p>\n\n\n\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Yen and Ai-Lee (106)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

TAIWAN NIGHT<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Yen and Ai-Lee<\/em> \/ Tom Shu-yu LIN (Director)
Family Matters<\/em> \/ PAN Ke-Yin (Director) \/ TSENG Jing-Hua (Cast)
Blind Love<\/em> \/ Julian CHOU (Director)
Breezy Day<\/em> \/ CHIANG Chung-chieh (Director)
Cupcakes, Lonely Cats<\/em> \/ YANG Ling (Director)<\/p>\n\n\n\n

Post-screening Q&A<\/p>\n\n\n\n

Tom Shu-yu LIN (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Muay Thai Hustle (117)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Ping LUMPRAPLOENG (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

404 Still Remain (103)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Uhm Ha-neul (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:45<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

So Beautiful, Wonderful and Lovely (67)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> OKAWARA Megumi (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Bel Ami (117)<\/a> J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> GENG Jun (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

And the Breadwinner Is\u2026<\/a> (122) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:25<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

PAGTATAG! The Documentary (73)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Saturday, March 22<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Saba (95)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

13:30-15:00<\/strong> Symposium<\/a> (Art Beat Cafe)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark>Family Matters (99)<\/a> J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> PAN Ke-Yin (Director) \/ TSENG Jing-Hua (Actor)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Silent City Driver (138)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> JANCHIVDORJ Sengedorj (Director) \/ Narantsetseg GANBAATAR (Producer) \/ Munkhbat Shirnen (Production Designer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Trophy Bride (114) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> All Shall Be Well (93)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark>Blind Love (150)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Julian CHOU (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Johatsu \u2013 Into Thin Air (86)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

17:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark>Taklee Genesis (146)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Chookiat SAKVEERAKUL (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:45<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Good Luck (104)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> ADACHI Shin (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

\n

Sunday, March 23<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> How to Make Millions before Grandma Dies (125)<\/a> .<\/mark>J<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Usha SEAMKHUM (Cast) \/ Vanridee PONGSITTISAK (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> The Paradise of Thorns (130)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Vanridee PONGSITTISAK (Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:05<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Dead Talents Society (110)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Award Ceremony + Closing Ceremony<\/mark><\/strong><\/p>\n\n\n\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> I Am Kirishima (105) <\/a>.<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> TAKAHASHI Banmei (Director) \/ KAJIWARA Aki (Screenplay) \/ NAGAO Kazuhiro (Executive producer) <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda, Cinema 4<\/p>\n\n\n\n

\n
\n

10:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Outsiders’ Club (42)<\/a> .<\/mark>E<\/strong> <\/mark> \/ Soyoko (45)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> The Outsiders\u2019 Club<\/em> KAWANOBE Shuichi (Cast) | Soyoko TODA Akihiro (Director) \/ FURUSAWA Mei (Cast) \/ MASE Hidemasa (Cast) \/ OGAWA Rei (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:35<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Village Rockstars 2 (107)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Rima DAS (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Soldier of Love (100)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Farkhat SHARIPOV (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

17:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

To Kill a Mongolian Horse (98)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Xiaoxuan JIANG (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> The Last Dance – Extended Version(150)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

March 13 (Thu)<\/a> | 14 (Fri)<\/a> | 15 (Sat)<\/a> | 16 (Sun)<\/a> | 17 (Mon)<\/a> | 18 (Tue )<\/a> | 19 (Wed)<\/a> | 20 (\u6728)<\/a> | 21 (Fri)<\/a> | 22 (Sat)<\/a> | 23 (Sun)<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n
\n

Short Program A <\/strong><\/p>\n\n\n\n

The Angel Island (33)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>J<\/strong> <\/mark><\/p>\n\n\n\n

Hansel: Two School Skirts (28)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Breezy Day (20)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

<\/div>\n\n\n\n

Short Program B<\/strong><\/p>\n\n\n\n

Crumpled (29) <\/a>.<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

WAShhh (23) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Our Beloved Journey (29)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

<\/div>\n\n\n\n

Short Program C<\/strong><\/p>\n\n\n\n

Farewell, Saranghae, Farewell (26) <\/a>.<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

In The Name of Love I Will Punish You (14) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Cupcakes, Lonely Cats (28)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Spring 23 (13)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

<\/div>\n\n\n\n

Short Program D<\/strong><\/p>\n\n\n\n

Little Dazzled Eyes (30)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

my name is (8)<\/a> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Rooftop Lempicka (20)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Suzuki (23) <\/a>.<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

<\/div>\n\n\n\n

Short Program E <\/strong><\/p>\n\n\n\n

To Be A Woman (36) <\/a>.<\/mark>E<\/strong> <\/mark> .<\/mark>J<\/strong> <\/mark><\/p>\n\n\n\n

Scary Self-Driving (27)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n\n\n\n

Boxing Day (13)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

<\/div>\n\n\n\n

Back to top<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Screening Schedule .E Screening with English subtitles .J Screening with Japanese subtitles for non-Japanese dialogue .A Screenings eligible for Audience Award .G Filmmakers in attendance (To be updated later) .Few Few Seats Remaining .Ask Available only at Ticket Counter .SOLD OUT Sold Out The number in parentheses indicates the film\u2019s length (minutes). Pre- & post-screening events […]<\/p>\n","protected":false},"author":1,"featured_media":7638,"parent":6426,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-oaff2025","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-7953","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"aioseo_notices":[],"mb":[],"mfb_rest_fields":["title","aioseo_notices"],"_links":{"self":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/pages\/7953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/comments?post=7953"}],"version-history":[{"count":36,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/pages\/7953\/revisions"}],"predecessor-version":[{"id":11447,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/pages\/7953\/revisions\/11447"}],"up":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/pages\/6426"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media\/7638"}],"wp:attachment":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media?parent=7953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}