{"id":13383,"date":"2025-08-27T16:15:08","date_gmt":"2025-08-27T07:15:08","guid":{"rendered":"https:\/\/oaff.jp\/uncategorized\/schedule\/"},"modified":"2025-09-03T21:12:24","modified_gmt":"2025-09-03T12:12:24","slug":"2025expo","status":"publish","type":"post","link":"https:\/\/oaff.jp\/en\/schedule\/2025expo\/","title":{"rendered":"Schedule"},"content":{"rendered":"\n

Screening Schedule<\/h2>\n\n\n\n
\n
\n
\n
\n

.<\/mark>E<\/strong> <\/mark> Screening with English subtitles<\/p>\n\n\n\n

.<\/mark>J<\/strong> <\/mark> Screening with Japanese subtitles for non-Japanese dialogue<\/p>\n\n\n\n

.<\/mark>A<\/mark><\/strong> <\/strong>screenin<\/span>g eligible for the Audience Award<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Filmmakers in attendance (To be updated later)<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

<\/mark>.<\/mark>Few<\/strong> <\/mark> Few Seats Remaining<\/p>\n\n\n\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Available only at the Ticket Counter<\/p>\n\n\n\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Sold Out<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

The number in parentheses indicates the film\u2019s length (minutes). Pre- & post-screening events are not included.
The program may be subject to change due to unavoidable circumstances.<\/p>\n\n\n\n

\n
Download Screening Schedule<\/a><\/div>\n<\/div>\n\n\n\n
\n

Additional 2 Titles:
Dawn Chorus<\/a><\/strong> by SATO Yoshinori, Starring TSUTSUI Mariko
Behind the Shadows<\/a> <\/strong>by Jonathan Li & CHOU Man-yu, Starring Louis KOO<\/p>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Friday, August 29<\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

18:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

Opening Ceremony <\/mark><\/strong>(20\uff09<\/p>\n\n\n\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark>\u3000Tracing to EXPO \u201970 (2K Restoration) <\/a>(97) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

Opening Ceremony<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong>Shambhala Story: SEKINE Toshio(Director) \/ TAKEDA Rina(Cast) \/ FUJIWARA Tamaki(Producer,Screenplay)
Milk Lady: MIYASE Sachiko(Director) \/ SAKO Asumi(Producer, Screenplay, Cinematographer)
Don\u2019t Call Me Kaminan: IIZUKA Toshimitsu(Director)
Maybe The Future Calls:MINEMATSU Fumi(Cast) \/ NODA Ryunosuke(Cast) \/ KUNIMI Nobuhiko(Cast)
Peach Flavored Asian Pear: SU Yu Chun(Director)
Ideal Son: NOHARA Tadashi(Director)
Imaginary Line: SAKAMOTO Kensho(Director)
Flame Union:SAKAMOTO Yugo(Director) \/ MATSUMOTO Takuya(Cast) \/ INO Masayuki(Cast)
Gurgling: Christine Margaret Wu (director) \/ Tseng Tzu-Ting (producer)
Departing: FU Dandi(Director) \/ LIU QINGLING (Producer)\/Shih Chihtian(Cast)
The Black Dog: Amita Huang (Producer)
Only Ever Be Empty or Overflowing: Aim-ei POLPITAK (director)
The Red Kiss: Steve LI (Director, Screenplay, Editor) \/ Amy CHAN Tsz Kwan (Director, Producer, Sound Designer) \/ HOPUI (Cast) \/ Ocean ON(Cast) \/ Sam (Cinematographer) \/ Frankie(Assistant Director)
Weaving: CHOI Minzy(Director)\/ Seok-hee(Cast) \/Park Jeongin (Cast)
First Summer:HEO Gayoung(Director)
Posthouse: Nikolas RED(Director) \/ Mikhail RED(Producer)
Sunshine: Geo LOMUNTAD(Producer)
Behind the Shadows: Jonathan LI(Director) \/ CHOU Man-yu(Director)
Queerpanorama: Jun LI(Director)
Dreams and Paths \/ Coffee After All: HIDAKA Nanami(Cast)<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n\n\n\n

(Post-screening Q&A)<\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong> Judy ONGG(Cast) \/ Arthur CHU(Chairman of TFAI)<\/mark><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

MA – Cry of Silence<\/a> (74) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Shanghai Blues <\/a>(103) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Tomb Watcher<\/a> (92) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Flame Union<\/a> (103) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> SAKAMOTO Yugo(Director) \/ KAKIUCHI Hiroki(Action Director) \/ MATSUMOTO Takuya(Cast) \/ INO Masayuki(Cast) \/ FUJISAWA Aniki(Cast) <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka, 1F Hall<\/p>\n\n\n\n

\n
\n

10:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program A (63)
Milk Lady<\/a> (19) E<\/strong> <\/mark> \/ Where Roots Go<\/a> (17) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Weaving<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> (27)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Milk Lady: MIYASE Sachiko(Director) \/ SAKO Asumi(Producer, Screenplay, Cinematographer)
Weaving: CHOI Minzy(Director)\/ Seok hee(Cast) \/Park Jeongin (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program E (84)
D-Day, Friday<\/a> (26) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Maybe The Future Calls<\/a> (34) .<\/mark>E<\/strong> <\/mark> \/ The Red Kiss<\/a> (24) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Maybe The Future Calls: MINEMATSU Fumi(Cast) \/ NODA Ryunosuke(Cast)
The Red Kiss:Steve LI(Director, Screenplay, Editor)\/ Amy CHAN Tsz Kwan(Director, Producer, Sound Designer)\/ Ocean ON(Cast)\/ HOPUI (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program F (60)
Only Ever Be Empty or Overflowing<\/a> (19) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Don’t Call Me Kaminan<\/a> (28) .<\/mark>E<\/strong> <\/mark> \/ Gurgling<\/a> (13) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Only Ever Be Empty or Overflowing: Aim-ei POLPITAK (Director)
Don’t Call Me Kaminan: IIZUKA Toshimitsu(Director)
Gurgling: Christine Margaret Wu(Director) \/ Tzu-Ting Tseng(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program C (89)
A Very Straight Neck<\/a> (10) .<\/mark>E<\/strong> <\/mark> \/ Ideal Son<\/a> (25) .<\/mark>E<\/strong> <\/mark> \/ In Between<\/a> (54) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Ideal Son: NOHARA Tadashi(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Saturday, August 30<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Shambhala Story<\/a> (108) .<\/mark>J<\/strong> <\/mark> <\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> SEKINE Toshio(Director) \/ TAKEDA Rina(Cast) \/ FUJIWARA Tamaki(Producer,Screenplay)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Last Summer <\/a>(90) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Some Like It Cold <\/a>(107) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

True Love, for Once in My Life<\/a> (109) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

10:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Goodbye Seventeen<\/a> (91) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Dragon Superman<\/a> (90) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> KOBAYASHI Hatsue (Director’s wife)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Posthouse<\/a> (92) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Nikolas RED(Director) \/ Mikhail RED(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Director in Focus TANAKA Miki (Emillet<\/a> .<\/mark>E<\/strong> <\/mark> \/Ginger Boy<\/a> .<\/mark>E<\/strong> <\/mark>) (80)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> TANAKA Miki(Director) \/ FUJITA Kai(Cast) \/ TASUTOMI Kohei(Cinematographer) \/ NAOI Takatoshi(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Queerpanorama<\/a> (88) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Jun LI(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka, 1F Hall<\/p>\n\n\n\n

\n
\n

10:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program F (60)
Only Ever Be Empty or Overflowing<\/a> (19) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Don’t Call Me Kaminan<\/a> (28) .<\/mark>E<\/strong> <\/mark> \/ Gurgling<\/a> (13) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Only Ever Be Empty or Overflowing: Aim-ei POLPITAK (Director)
Don’t Call Me Kaminan: IIZUKA Toshimitsu(Director)
Gurgling: Christine Margaret Wu (Director)\/ Tzu-Ting Tseng(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

11:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Short Program D (94)
Peach Flavored Asian Pear<\/a> (23) .<\/mark>E<\/strong> <\/mark> \/ Departing<\/a> (17) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ The Black Dog<\/a> (20) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Blue Amber<\/a> (34) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Peach Flavored Asian Pear: SU Yu Chun(Director) \/ URUSHIYAMA Takumi(Cast)
Departing: FU Dandi(Director)\/ LIU QINGLING(Producer)\/Shih Chihtian\uff08Cast\uff09
The Black Dog: YANG Ling (Director)\/ Amita Huang(Producer)
Blue Amber: TANAKA Miki(Director)\/ TASUTOMI Kohei(Cinematographer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program B (71)
The Bridge<\/a> (21) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Dreams and Paths<\/a> (20) .<\/mark>E<\/strong> <\/mark> \/ First Summer<\/a> (30) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Dreams and Paths: MAEDA Seira(Director)\/ HIDAKA Nanami(Cast) \/ SAITO Kodai(Cast) \/ SAKAMAKI Rio(Cast)
First Summer: HEO Gayoung(Director) \/ Kim Mi Hyang(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program E (84)
D-Day, Friday<\/a> (26) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Maybe The Future Calls<\/a> (34) .<\/mark>E<\/strong> <\/mark> \/ The Red Kiss<\/a> (24) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Maybe The Future Calls: MINEMATSU Fumi(Cast) \/ OOI Miki(Cast) \/ YOSHIZAWA Emina(Cast) \/ NODA Ryunosuke(Cast) \/ KUNIMI Nobuhiko(Cast) \/ Yu(Cast) \/ KAWAMOTO Sankichi(Cast)
The Red Kiss: Steve LI(Director, Screenplay, Editor)\/ Amy CHAN Tsz Kwan(Director, Producer, Sound Designer)\/ Ocean ON(Cast) \/ HOPUI (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Sunday, August 31<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

<\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

I, the Song<\/a> (113) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

1 Girl Infinite<\/a> (100) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

Behind the Shadows (103)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Jonathan LI(Director) \/ CHOU Man-yu(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

10:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Lonely Seventeen<\/a> (96) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Flames of a Flower <\/a>(124) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> KOJIMA Oudai(Director) \/ YAMAMOTO Ikken(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Sea Unseen<\/a> (105) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark> Coffee After All <\/a>(55) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> HOSOI Jun(Director) \/ TANIGAWA Ryuji(Producer,Kohaze Coffee Manager) \/ HIDAKA Nanami(Cast) \/ NAOI Takatoshi(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Truth or Lies<\/a> (104) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> ISOBE Teppei(Director) \/ ASAMI Cocoro(Cast) \/ KURASHIMA Karen(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka, 1F Hall<\/p>\n\n\n\n

\n
\n

10:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> Short Program D (94)
Peach Flavored Asian Pear<\/a> (23) .<\/mark>E<\/strong> <\/mark> \/ Departing<\/a> (17) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ The Black Dog<\/a> (20) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Blue Amber<\/a> (34) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong> Peach Flavored Asian Pear: SU Yu Chun(Director) \/ URUSHIYAMA Takumi(Cast)
Departing: FU Dandi(Director) \/ LIU QINGLING (Producer) \/ Shih Chihtian\uff08Cast\uff09
The Black Dog: Amita Huang (Producer)
Blue Amber: TANAKA Miki(Director)\/ TASUTOMI Kohei(Cinematographer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program B (71)
The Bridge<\/a> (21) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Dreams and Paths<\/a> (20) .<\/mark>E<\/strong> <\/mark> \/ First Summer<\/a> (30) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Dreams and Paths: MAEDA Seira(Director)\/ HIDAKA Nanami(Cast) \/ SAITO Kodai(Cast) \/ SAKAMAKI Rio(Cast)
First Summer: HEO Gayoung(Director) \/ Kim Mi Hyang(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program A (63)
Milk Lady<\/a> (19) E<\/strong> <\/mark> \/ Where Roots Go<\/a> (17) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> \/ Weaving<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> (27)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong><\/strong><\/mark><\/strong><\/mark><\/strong> Milk Lady: MIYASE Sachiko(Director) \/ SAKO Asumi(Producer, Screenplay, Cinematographer)
Where Roots Go: HEO Gayoung(Director)\/ Seokhee(Cast)
Weaving: CHOI Minzy(Director)\/ Seokhee(Cast) \/Park Jeongin (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Short Program C (89)
A Very Straight Neck<\/a> (10) .<\/mark>E<\/strong> <\/mark> \/ Ideal Son<\/a> (25) .<\/mark>E<\/strong> <\/mark> \/ In Between<\/a> (54) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Ideal Son: NOHARA Tadashi(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Monday, September 1<\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Unexpected Courage<\/a> (111) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

All Quiet at Sunrise <\/a>(101) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> ZHAO Jin(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> The Red Envelope<\/a> (128) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

10:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Magic Ring<\/a> (75) .<\/mark>E<\/strong> <\/mark> <\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> TERASHIMA Tamaki(Director)\/ Kazune(Cast) \/ GOJO Oto(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Fellow Who Rejected College – 2025 Director’s Edition of 2K Restoration<\/a> (94) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Autumn Flies<\/a> (146) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Abhijit SRIDAS(Director) \/ Sujit RAHA(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Imaginary Line<\/a> (90) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> SAKAMOTO Kensho(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

As Long As We\u2019re Alive<\/a> .<\/mark>E<\/strong> <\/mark> \/ The Outsiders\u2019 Club (2025) <\/a>.<\/mark>E<\/strong> <\/mark> (84)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> As Long As We\u2019re Alive:UENO Shiori(Director)
The Outsiders\u2019 Club (2025):NISHIZAKI Hami(Director) \/ KAWANOBE Shuichi(Cast) \/ FUJIIE Yamato(Cast) \/ MISU Minori<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka, 1F Hall<\/p>\n\n\n\n

\n
\n

12:35<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Love Potion <\/a>(55) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> YAMADA Kaho (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Painting Our Sea<\/a> (16) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> KATAMINE Ayano (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:55<\/strong><\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

PEAK END <\/a>(120) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> SHIN Chaerin (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Talk session (70)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Love Potion:YAMADA Kaho(Director)
Painting Our Sea:KATAMINE Ayano (Director)
PEAK END:SHIN Chaerin (Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Tuesday, September<\/strong><\/strong> 2<\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

11:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Full Moon in New York<\/a> (89) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Lonely Seventeen<\/a> (96) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Tomb Watcher<\/a> (92) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Thanavaste SIRIWATTANAGUL(Cast) \/ Arachaporn POKINPAKORN(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

Mr. Hoshino Runs Again Today<\/a> (67) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Flames of a Flower <\/a>(124) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> KOJIMA Oudai(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Tracing to EXPO \u201970 (2K Restoration) <\/a>(97) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Director in Focus TANAKA Miki (Emillet<\/a> .<\/mark>E<\/strong> <\/mark> \/Ginger Boy<\/a> .<\/mark>E<\/strong> <\/mark>) (80)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> TANAKA Miki(Director) \/ FUJITA Kai(Cast) \/ TASUTOMI Kohei(Cinematographer) \/ NAOI Takatoshi(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Coffee After All <\/a>(55) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> HIDAKA Nanami(Cast) \/ NAOI Takatoshi(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Dawn Chorus(113)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> SATO Yoshinori(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Nakanoshima Museum of Art, Osaka, 1F Hall<\/p>\n\n\n\n

\n
\n

12:15<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Fools on Fire<\/a> (137) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Diana DAI (Director) \/ IWAMOTO Kou (Cast) \/ AIDA Tenma (Cast) \/ FURUYA Konosuke (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Journey of the Egret<\/a> (40) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> YANG Liping (Director) \/ SUN Yining (Producer) \/ OSU Mizuho (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:45<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Wish<\/a> (39) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> GONG Zelin (Director) \/ MA Liqing (Cast) \/ MA Le (Assistant Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Selection<\/a> (23) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> ZHANG Yaoyuan (Director) \/ UMEDA Masahiro (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Wednesday, September <\/strong><\/strong>3<\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

11:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

MA – Cry of Silence<\/a> (74) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Sunshine<\/a> (91) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong> Geo LOMUNTAD(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Autumn Flies<\/a> (146) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> SymposiumAbhijit SRIDAS(Director) \/ Sujit RAHA(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

1 Girl Infinite<\/a> (100) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Shane AINSWORTH (Cinematographer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Dawn Chorus(113)<\/a> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> SATO Yoshinori(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Fellow Who Rejected College – 2025 Director’s Edition of 2K Restoration<\/a> (94) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Goodbye Seventeen<\/a> (91) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Truth or Lies<\/a> (104) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> ISOBE Teppei(Director) \/ ASAMI Cocoro(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:50<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Magic Ring<\/a> (75) .<\/mark>E<\/strong> <\/mark> <\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> TERASHIMA Tamaki(Director) \/ Kazune(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Thursday, September 4<\/strong><\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Some Like It Cold<\/a> (107) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> HONG Suneun(Director) \/ JEONG Joeun(Poducer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

True Love, for Once in My Life<\/a> (109) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Delon SIU(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Shambhala Story<\/a> (108) .<\/mark>J<\/strong> <\/mark> <\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

TAIWAN NIGHT<\/strong><\/p>\n\n\n\n

Unexpected Courage<\/a> (111) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n

TAIWAN NIGHT<\/strong><\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> Unexpected Courage: Shawn YU(Director)<\/mark><\/p>\n\n\n\n

The Black Dog: YANG Ling (Director )
Gurgling: Tzu-Ting Tseng (producer)<\/mark><\/p>\n\n\n\n

\n\n\n\n

Post-screening Q&A<\/mark><\/p>\n\n\n\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Shawn YU(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Theatre Umeda Cinema 4<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Mr. Hoshino Runs Again Today<\/a> (67) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

12:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Evacuation<\/a> (80) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

15:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

As Long As We\u2019re Alive<\/a> .<\/mark>E<\/strong> <\/mark> \/ The Outsiders\u2019 Club (2025) <\/a>.<\/mark>E<\/strong> <\/mark> (84)<\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>As Long As We\u2019re Alive:UENO Shiori(Director) \/ NAGASE Miru(Cast) \/ JIN Deyoung(Cast) \/ Kikuyo(Cast)
The Outsiders\u2019 Club (2025):KAWANOBE Shuichi(Cast) \/ SAKAMOTO Ayane(Cast) \/ MISU Minori \/ ITO Yuki(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Dragon Superman<\/a> (90) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

20:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Imaginary Line<\/a> (90) .<\/mark>E<\/strong> <\/mark> <\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>SAKAMOTO Kensho(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

T-Joy Umeda Screen 7<\/p>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Posthouse<\/a> (92) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Queerpanorama<\/a> (88) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Jun LI(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Friday, September 5<\/strong><\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Last Summer <\/a>(90) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Renfei SHI(Director) \/ LIN Boyu(Producer) \/ HE Guowei(Post Production Supervisor)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

<\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

I, the Song<\/a> (113) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Tnadin Bidha(Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Shanghai Blues <\/a>(103) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

T-Joy Umeda Screen 7<\/p>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

The Sea Unseen<\/a> (105) .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>KATO Saki(Director, Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

21:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Daydream<\/a> (75) .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>YAMASHIRO Tatsurou(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Saturday, September 6<\/strong><\/strong><\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> The Red Envelope<\/a> (128) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Banjong PISANTHANAKUN(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

All Quiet at Sunrise <\/a>(101) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>ZHU Xin(Director) <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

16:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Evacuation<\/a> (80) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Frakhat SHARIPOV(Director)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

19:10<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Sunshine<\/a> (91) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A <\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>Geo LOMUNTAD(Producer)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Osaka City Central Public Hall<\/p>\n\n\n\n

\n
\n

11:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Sales Girl <\/a>(123) .<\/mark>J<\/strong> <\/mark> <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

14:30<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>Ask<\/strong> <\/mark> PATHAAN<\/a> (146) .<\/mark>J<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

18:20<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Song Lang<\/a> (102) .<\/mark>J<\/strong> <\/mark> <\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

\n

Sunday, September <\/strong><\/strong><\/strong>7<\/strong><\/p>\n\n\n\n

ABC Hall<\/p>\n\n\n\n

\n
\n

10:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

<\/mark>.<\/mark>SOLD OUT<\/strong> <\/mark>\u3000Behind the Shadows (103)<\/a> .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark> .<\/mark>A<\/mark><\/strong><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

13:40<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Full Moon in New York<\/a> (89) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n\n\n\n

\n

<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

17:00<\/strong><\/p>\n<\/div>\n\n\n\n

\n
\n
\n
\n

Award Ceremony + Closing Ceremony<\/mark><\/strong><\/p>\n\n\n\n

A Good Child<\/a> (105) .<\/mark>J<\/strong> <\/mark> .<\/mark>E<\/strong> <\/mark><\/p>\n<\/div>\n<\/div>\n\n\n\n

\n

.<\/mark>G <\/mark><\/strong><\/mark><\/strong><\/mark><\/strong> <\/mark>ONG Kuo Sin(Director) \/ Richie KOH (Cast) \/ HONG Hui Fang (Cast)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

August 29 Fri<\/a> | 30 Sat<\/a> | 31 Sun<\/a> | September 1 Mon<\/a> | 2 Tue<\/a> | 3 Wed<\/a> | 4 Thu<\/a> | 5 Fri<\/a> | 6 Sat<\/a> | 7 Sun<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n

Back to the top<\/a><\/p>\n<\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Screening schedule from August 29 to September 7<\/p>\n","protected":false},"author":1,"featured_media":12278,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"wp-custom-template-oaff2026","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[129,121],"tags":[116,117],"class_list":["post-13383","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-schedule-en","category-schedule","tag-2025expo","tag-2025expo-en"],"acf":[],"aioseo_notices":[],"mb":[],"mfb_rest_fields":["title","aioseo_notices"],"_links":{"self":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/13383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/comments?post=13383"}],"version-history":[{"count":36,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/13383\/revisions"}],"predecessor-version":[{"id":15002,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/13383\/revisions\/15002"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media\/12278"}],"wp:attachment":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media?parent=13383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/categories?post=13383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/tags?post=13383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}