{"id":2655,"date":"2024-02-04T17:00:05","date_gmt":"2024-02-04T08:00:05","guid":{"rendered":"https:\/\/oaff.jp\/?p=2655"},"modified":"2024-02-21T14:46:38","modified_gmt":"2024-02-21T05:46:38","slug":"2024-sl04","status":"publish","type":"post","link":"https:\/\/oaff.jp\/en\/programs\/2024-sl04\/","title":{"rendered":"The Fourth Man"},"content":{"rendered":"\n
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OAFF2024 Spotlight<\/p>\n\n\n

\"JungOk<\/figure><\/div>\n\n\n\n
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The Fourth Man<\/h2>\n\n\n\n

\u7b2c\u56db\u500b\u7537\u4eba<\/p>\n<\/div>\n\n\n\n

International Premiere<\/p>\n\n\n\n

A Malaysian banker living in Singapore is beginning to feel the years slip by and takes on a series of blind dates as a result. If the first three finance-minded candidates don\u2019t quite work, the fourth man winds up being a surprise not least because he is a butcher by trade.<\/p>\n\n\n\n

In watching her dating disasters director TAY evokes comedy and the ageist\/sexist double-standards of dating. Underlying this is the anxiety of the realisation of the approach of middle age, not least through some alarming pig-based metaphorical imagery! Don\u2019t worry, a gentle atmosphere of easygoing relationships and the sights of Singapore add a warmth and the characters are fun to be around as they learn to relax. [Jason MAHER]<\/p>\n<\/div>\n\n\n\n

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Short Film Program E<\/a><\/p>\n\n\n\n

March 3, 17:00
Nakanoshima Museum of Art Osaka 1F Hall<\/p>\n\n\n\n

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Buy Tickets<\/a><\/div>\n<\/div>\n\n\n\n
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March 7, 15:00
Nakanoshima Museum of Art Osaka 1F Hall<\/p>\n\n\n\n

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Buy Tickets<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Director: TAY Bee Pin [\u912d\u5f4c\u5f6c]<\/p>\n\n\n\n

Cast:
Cynthia KOH (\u8a31\u7f8e\u73cd)
Lester LEE (\u674e\u5fd7\u8ce2)<\/p>\n\n\n\n

2023 | Singapore | 25 min. | Language: Mandarin, Malay | Subtitles: Japanese, English<\/p>\n\n\n\n

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[International Premiere] The Fourth Man [\u7b2c\u56db\u500b\u7537\u4eba] Director: TAY Bee Pin | 2023 | Singapore | 25 min<\/p>\n","protected":false},"author":1,"featured_media":2171,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"wp-custom-template-films","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8,56,26,81],"tags":[11,47],"class_list":{"0":"post-2655","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-programs","9":"category-spotlight","10":"category-spotlight-en","11":"tag-11","12":"tag-2024-en"},"acf":[],"aioseo_notices":[],"mb":[],"mfb_rest_fields":["title","aioseo_notices"],"_links":{"self":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/2655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/comments?post=2655"}],"version-history":[{"count":9,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/2655\/revisions"}],"predecessor-version":[{"id":4806,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/2655\/revisions\/4806"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media\/2171"}],"wp:attachment":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media?parent=2655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/categories?post=2655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/tags?post=2655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}