{"id":4693,"date":"2024-02-22T14:00:00","date_gmt":"2024-02-22T05:00:00","guid":{"rendered":"https:\/\/oaff.jp\/?p=4693"},"modified":"2024-02-22T12:42:20","modified_gmt":"2024-02-22T03:42:20","slug":"international-competition-jury-2024","status":"publish","type":"post","link":"https:\/\/oaff.jp\/en\/news\/international-competition-jury-2024\/","title":{"rendered":"International Competition Jury 2024"},"content":{"rendered":"\n<p class=\"has-text-align-left has-contrast-color has-text-color has-link-color has-small-font-size wp-elements-82e230192029eb1f9990ee7452207edd\" id=\"cojury\" style=\"padding-right:0;padding-left:0\">Osaka Asian Film Festival 2024 International Competition Jury<\/p>\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\" style=\"padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"929\" src=\"https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Dave-Boyle-650x929.jpg\" alt=\"Osaka Asian Film Festival 2024\" class=\"wp-image-4645 size-full\" srcset=\"https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Dave-Boyle-650x929.jpg 650w, https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Dave-Boyle-210x300.jpg 210w, https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Dave-Boyle.jpg 700w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Dave BOYLE (USA)<br\/>Writer, Director, Producer<\/p>\n\n\n\n<p class=\"has-link-color wp-elements-d74d0d53e62326b9cf9417d297d1becb\" style=\"font-size:13px\">BOYLE is an American writer, director, and producer. He made his feature \ufb01lm debut in 2006 with {Big Dreams Little Tokyo}. Other \ufb01lms he has directed include {White on Rice} (OAFF2010) and {Man from Reno} (OAFF2015), and produced {Already Tomorrow in Hong Kong} (OAFF2016), {I Will Make You Mine} (OAFF2021), and {Cat Daddies} (2022). His latest Net\ufb02ix-produced directorial effort, &#8220;House of Ninjas&#8221;, is now available worldwide. He co-wrote the \ufb01lm {<a href=\"https:\/\/oaff.jp\/en\/programs\/2024-cl\/\" title=\"Tokyo Cowboy\">Tokyo Cowboy<\/a>} which will be screened as the OAFF 2024 Closing Flm.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"929\" src=\"https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Murata-Atsuko-650x929.jpg\" alt=\"Osaka Asian Film Festival 2024\" class=\"wp-image-4651 size-full\" srcset=\"https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Murata-Atsuko-650x929.jpg 650w, https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Murata-Atsuko-210x300.jpg 210w, https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_Murata-Atsuko.jpg 700w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>MURATA Atsuko (Japan)<br\/>CEO, Mimosa Films, Inc.<\/p>\n\n\n\n<p style=\"font-size:13px\">After graduating from university, MURATA worked for Tohokushinsha, then GAGA Communications (now GAGA), and Media Suits (later merged with Nikkatsu), where she was in charge of \ufb01lm purchasing, distribution, and publicity. In 2009, she became a freelance publicity producer and distributor. On December 8, 2011, the anniversary of John LENNON&#8217;s death, she founded Mimosa Films, Inc. whose main business is purchasing and distributing foreign \ufb01lms. Films distributed by the company include {Into Great Silence (Die grosse Stille)}, {Ex Libris: The New York Public Library}, {The Right to Happiness (Il diritto alla felicit\u00e0)}, and four HONG Sang-soo \ufb01lms.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"929\" src=\"https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_sasongko-650x929.jpg\" alt=\"Osaka Asian Film Festival 2024\" class=\"wp-image-4647 size-full\" srcset=\"https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_sasongko-650x929.jpg 650w, https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_sasongko-210x300.jpg 210w, https:\/\/oaff.jp\/wp-content\/uploads\/2024\/02\/Co_Jury_sasongko.jpg 700w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Angga Dwimas SASONGKO (Indonesia)<br\/>Director<\/p>\n\n\n\n<p class=\"has-link-color wp-elements-fa81553be21fba73692143ea546b8c57\" style=\"font-size:13px\">After studying political science at University of Indonesia, SASONGKO founded Visinema Pictures through which he created TV commercials, music videos, and \ufb01lms. His works include, {Hari Untuk Amanda} (2010), {We Are Moluccans} (2014), {Filoso\ufb01 Kopi} (2015), {Letters from Prague} (2016), and historical action comedy {212 Warrior} (2018). His latest \ufb01lm {<a href=\"https:\/\/oaff.jp\/en\/programs\/2024-sl01\/\" title=\"13 Bombs\">13 Bombs<\/a>} will be screened at OAFF2024 in the Spotlight section.<\/p>\n<\/div><\/div>\n<\/div>\n\n<div style=\"height:32px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>OAFF 2024 Competition International Jury Members Mr. Dave Boyle \/ Ms. Murata Atsuko \/ Director Angga Dwimas Sasongko<\/p>\n","protected":false},"author":1,"featured_media":4677,"comment_status":"closed","ping_status":"open","sticky":false,"template":"wp-custom-template-oaff-2024","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[94,53],"tags":[47],"class_list":["post-4693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jury-en","category-news","tag-2024-en"],"acf":[],"aioseo_notices":[],"mb":[],"mfb_rest_fields":["title","aioseo_notices"],"_links":{"self":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/4693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/comments?post=4693"}],"version-history":[{"count":8,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/4693\/revisions"}],"predecessor-version":[{"id":4846,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/posts\/4693\/revisions\/4846"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media\/4677"}],"wp:attachment":[{"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/media?parent=4693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/categories?post=4693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oaff.jp\/en\/wp-json\/wp\/v2\/tags?post=4693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}